8/15/2023 0 Comments William bolcom ragtime![]() ![]() ![]() 1979: Third Symphony (for Chamber Orchestra) 1956-82: Songs of Innocence and of Experience (William Blake) 1978-83: 'Cabaret Songs' (Vol. 1971: Commedia (for 'Almost' 18th Century Orchestra) 1974: The Garden of Eden. Dette er en av hans mest populære komposisjoner. 1967: Black Host (Nonesuch H-71260) 1970: Graceful Ghost Rag. Og det er riktig William Bolcom skrev Graceful Ghost til minne om sin far i 1970. Men hvis man lytter nøyere, hører man at noen av harmoniene er mer avansert enn det man forbinder med tradisjonell ragtime. Ragtime er sjelden i molltonearter (slik som denne er) og ved første gjennomlytting høres den kanskje ut som om den var skrevet på Scott Joplins tid. Jeg hørte Morten Gunnar Larsen, berømt for sitt ragtime pianospill,įremføre Graceful Ghost på en konsert med Sjøforsvarets Musikkorps og ble umiddelbart tiltrukket av denne vakre og melankolske komposisjonen. The composer William Bolcom wrote Graceful Ghost in 1970 to honour the memory of his father and it is one of his most popular pieces. Rag times are rarely in a minor key (which this one is) and when you first hear it, you might think it was written around the time when Scott Joplin was the main ragtime composer.īut, if you listen more carefully, you notice that some of the harmonies are more advanced than one might expect in traditional ragtime, giving the piece a slightly more contemporary feel. I was struck by it's melancholic beauty and wanted to arrange it for band. Morten Gunnar Larsen playing it at a concert with the Norwegian Navy Band Bergen. Graceful Ghost Rag Composed by William Bolcom - Digital Sheet Music Price: 5. Their musical language subtly updates that of Joplin without in the least sacrificing its character.I came to know of this piece when hearing famous Norwegian ragtime pianist Bolcom's Ghost rags are charming and thorougly idiomatic, not exercises at all but tributes, of the highest order, to a neglected American music. Slower and sweeter than the other two, it still comes with surprising harmonies, tricky syncopations, and langorous melodies that might provide numerous opportunities for some smoky-eyed heroine to toss her hair. One writer has described it as a "white telephone rag," and of the three rags in the set this one is the most redolent of the old-time serials. The music takes several entertaining jaunts down long hallways to dead ends before reluctantly coming to a conclusion. The second Ghost Rag, titled Poltergeist (Rag Fantasy), does not make an outward show of being haunting but nevertheless sounds more ghostly, with suspended appoggiaturas, unexpected harmonies, and syncopations that snap a bit more than those of Graceful Ghost. Dedicated to William Pemberton, co-founde. Bolcom has also prepared a very effective transcription for violin and piano of this rag. World premiere of 'River Raisin Rag,' composed by William Bolcom and gifted to the River Raisin Ragtime Revue (R4). An elegant melodic curve, gentle minor-mode harmonies, and an expert use of the flowing syncopations of ragtime rhythm make the piece feel wistful and noble at the same time. The ghost who stalks these pages is indeed a graceful and welcome presence. Bolcom wrote the first of these rags, Graceful Ghost, in memory of his father, and it has become his single most famous work. Dedicated to William Pemberton, co-founder and long time music director of R4. His Ghost Rags of 1970, which were named as a set by the pianist Paul Jacobs, have become the best-loved of his ragtime explorations, and Bolcom invests these essays in old-time music with style and wit. World premiere of 'River Raisin Rag,' composed by William Bolcom and gifted to the River Raisin Ragtime Revue (R4). The exploration of this master's oeuvre spurred several American composers to write rags of their own, including William Bolcom. In the late '60s, there arose a renewed interest in the music of the greatest ragtime composer, Scott Joplin.
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